Twizzle Talk

Anatomy of a Titanic Program

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This post has been in my drafts for a year—yikes! That’s a little embarrassing. But since 2017 is the 20th anniversary of the movie “Titanic,” and this post was initially intended to sing the praises of current U.S. World Team member Mariah Bell, it’s actually still relevant. High-five to past me.

The music from “Titanic” was a popular choice for skating programs when the movie first came out, and it still pops up in rinks from the local level to the World Championships, because it is such a movie favorite.

Last year, Russian Elena Radionova skated to selections from “Titanic” for her long program, and I just couldn’t get on the bandwagon for this program.

 

The voiceovers were a distraction, rather than an enhancement, and the music selection overall was too repetitive, too reliant on the “My Heart Will Go On” portion of the soundtrack, both with vocals and without. We all know it’s a long movie (anybody else remember the two-VHS boxed set?), and there is a wealth of music to choose from. I’m a fan of the Irish music from the steerage party scene, performed by the wonderful band Gaelic Storm. By the time Celine Dion’s voice comes into the program in the final minute or so, we’ve heard this crescendo of the music several times already, which diminishes the emotional impact and power of the moment.

In terms of the choreography, I didn’t love the constant open and uplifting arm movements…lots of people are dying here, including Radionova’s character’s boyfriend. It looked too triumphant. The jump entrances are held too long and are awkward, which is indicative of the trouble she was having with jumps last season, after a growth spurt.

I did enjoy that Radionova’s dress was a nod to the pretty dress that Kate Winslet wore as the ship was sinking:

kate-winslet-dress

Image Source: awesomeinventions.com

Mariah Bell’s 2015 “Titanic” program, on the other hand, was much more my taste:

 

The opening of this program captures the tension of the film, both in terms of music and choreography. From there, it moves into a natural story: the piece with some pop and Mariah’s beautiful split jumps alludes to the triumphant send-off for the ship, there is a sweet portion in the middle for her footwork that fits with the movie love story, and the use of “My Heart Will Go On” is very subtle.

Skating programs usually build to a grand finale of sorts, with the most exciting, uplifting pieces of music at the end. This program ends quietly, and I liked the nod to the more somber end for the Titanic itself and the movie.

Also, her dress is gorgeous and looks like the ocean.

This Nationals, 2015, was when I first noticed the joy and “it factor” in Mariah’s skating. That’s still present today, in 2017, but she has made huge technical strides. There wasn’t a triple-triple in this program (she doubled a planned triple toe-triple toe), and now she routinely hits the triple lutz-triple toe. She said in her recent interview on the “Ice Talk” podcast that she moved to new coach Rafael Arutyunyan for technical help, so it is exciting to think about the strides she can make after a full season with Raf.

Are there any other well-known “Titanic” programs that you loved or hated? Let me know!

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Author: Maura @ Twizzle Talk

I'm Maura, a figure skating superfan who loves to talk twizzles and everything else skating-related. I'm also an adult skater and learn-to-skate coach.

2 thoughts on “Anatomy of a Titanic Program

  1. I think allowing music with lyrics has improved competitive figure skating. But voice-overs from movies? Er… Not so much.

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