Did anybody stay up to watch the Skate Canada broadcast on NBC Sports from 11:30 pm – 1 am on Sunday night/Monday morning?
Perhaps because it was basically the middle of the night? Sigh.
Here are my five thoughts from Skate Canada 2017, starting with my tv schedule woes:
- I know most diehard fans are watching a live stream on IceNetwork, or following along on Twitter with the exceptional live-tweeting of Rocker Skating’s Jackie Wong. But I like catching the NBC broadcast of Grand Prix events on Sunday morning/early afternoon, and most casual skating viewers are going to watch at that time — rather than late at night. It is a bummer that a sport already struggling with the American audience is relegated to such a bad broadcast time. Get it in on Sunday before football starts, and I think you might have more viewers.
- Poor Anna Pogorilaya of Russia had another cringe-worthy performance, full of wild, body-crushing falls. It makes me wonder about how solid her technique is, that this keeps happening [it is at least the third time, with the 2017 Worlds long program and the short at 2015 NHK Trophy being two other noteworthy instances]. I’ve taken more than a few horrible, un-graceful falls in my day, but this is too much for someone at her level. The Skating Lesson even suggested that some of it may be dramatics, once she realizes that the program is going downhill. Whatever it is, it is harming her chances of getting one of the three Russian spots for the Olympic team. It’s too bad, because, in the short program at this event, it looked like she came out swinging and ready to make a comeback. She nailed a clean program, and I especially liked the steps into her triple loop:
- I am a HUGE fan of Kaitlin Hawayak and Jean-Luc Baker of the U.S. Their “Liebestraum” free dance is stunning, and I was thrilled that they kept the program for this year, after some sub-par outings at the end of last season. I also liked that they chose fun, popular music for the Latin short dance — I haven’t noticed too much current pop music among the top teams this year [except for the French dance team’s FAB short dance, of course]. That said, “Get Busy” by Sean Paul would not have been my choice.
The lyrics are a little much for a competition program, and then when they slowed down the tempo for the pattern? I liked it even less. Which is hard because I like them so much — how cute was it that she told him “Good job!” so enthusiastically in the kiss and cry? I definitely prefer the free dance with them this year, because it so lyrical and heartfelt. This program, in addition to the iffy song choice, seemed a little bit like a Meryl Davis and Charlie White impression. I suppose if you’re going to imitate anyone, that’s a good choice. But this is what it reminded me of:
- Canada’s Tessa Virtue and Scott Moir grabbed another world record, despite a bobble in the free dance (that a lot of people apparently ignored, according to The Skating Protocol Instagram account). They look happy and relaxed, Tessa especially, when they are performing. They are unmatched in the seamless flow of their elements — there is no telegraphing that an element or pattern is coming up. It is all just pure skating. The short dance is fantastic (though I could do without the mouthing of the lyrics. Ashley Wagner did that in her short as well, and it’s just not my favorite when skaters do that. This isn’t Disney on Ice!). I’m not a huge fan of the free dance, only because Virtue and Moir are known for their originality, and “Moulin Rouge!” feels like it has been done so many times before. There was definite improvement since their first competition at Autumn Classic, so maybe I’ll be singing a different tune by the time the Olympics roll around.
- Madison Hubbell and Zachary Donohue are my vote for the U.S. national dance title this year. They are skating with incredible control — which is a good thing, after some really poorly timed mistakes kept them from moving up on the U.S. podium last year and making the World podium. The opening of their free dance is mesmerizing. Not only are they on point in their timing with the music, but they also uses the pauses in the music really effectively. It’s rare to have a pause in music in skating at all. I also think this program feels very genuine, especially compared to Virtue and Moir’s free dance. As a viewer, I tend to gravitate towards music I’m already familiar with, as I’m sure many of us do. So it’s interesting to me that even though I know Virtue and Moir’s music, and have never run across Hubbell and Donohue’s, that’s the one I connect with more. It feels less like a put-on performance and more like pure dancing. See for yourself:
Next up: Cup of China!
P.S. Apologies if the numbers are showing as roman numerals…I intended for regular old numbers, but lost a battle with WordPress code.