Twizzle Talk


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Flashback Friday: Rostelecom Cup 2018 Edition

Gracie Gold returns to competitive ice and the Grand Prix circuit this weekend at Rostelecom Cup, after taking the 2017-18 season off for health and personal reasons. She won her first Grand Prix medal—a silver—at Rostelecom Cup in 2012. She skated this sparkling short program en route to the silver medal:

She showcased excellent speed and jump height in this program, as well as a joy for skating that I hope we will see again this weekend, regardless of placement.

This happens to be the second Flashback Friday from the 2012 Rostelecom Cup ladies event, which was full of some great performances! Here’s to some more this weekend at 2018 Rostelecom.

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Cup of China 2015: Impressions

When I initially looked at the list of entrants for Cup of China, I wasn’t sure it would be a very exciting event. The winners in each discipline seemed like they would almost be a given, but some unexpected performances made this event fun to watch.

  • How cute was Rika Hongo‘s “Riverdance” long program? She looked like she was having a blast, which made it fun to watch. The upbeat and recognizable music obviously helps grab the audience, but her enthusiasm also went a long way. I also thought her dress was absolutely gorgeous. The green color was a nod to the Irish-themed music, but nothing overly corny or costume-y:
  • Mao Asada won the event, as expected, as her comeback trail continues. Her short was fabulous and the triple axel in her long program was a thing of beauty. But the rest of her long program was shaky—I’m not sure we can say “She’s back!” quite yet. She still needs to shake off some rust.

    Image Source: olympics.nbcsports.com

  • Elena Radionova seems to have regressed since last year. I didn’t love her presentation then, but now she seems to be confusing musical interpretation with overdoing it on the arm and upper body movements. There has been lots of online chatter hating on her long program musical selection of “Titanic,” but the music bothered me far less than the arm flailing did. Though the awkwardness of the “I’ll never let go, Jack” voiceover at the very end of the program cannot be denied.
  • Javier Fernandez was expected to win the men’s event and win he did, with some great quads. I just really love his personality on the ice and the spunk of his “Guys and Dolls” long program works for him. I also love his attitude—he doesn’t rest on his laurels even when he wins and takes every event as a learning experience. Javier told IceNetwork: “I will keep practicing; every day I improve and I will learn from this competition. It was a good day, with mistakes, and hopefully at my next Grand Prix I can perform a clean program.”

    Image Source: cope.es

  • Many previews that I read thought Americans Madison Chock and Evan Bates would easily walk away with the gold medal, but Italian 2014 World Champions Anna Cappellini and Luca Lanotte seem to be returning to form and stole the top spot. Chock and Bates have beautiful flow and creative lifts. However, the move where he spins her around while she drags her feet (not blades) across the ice is really overused in both of their programs. They started using it last season and now, after seeing it in two more programs (in multiple places in the program), it seems almost lazy to keep reusing it. Especially when they are always so inventive in the lifts. Is anyone else over the foot dragging?
    The Italians really seem to be back in action, despite the fact that people wrote them off last year. I really liked these two in Sochi and when they won their world title that year, but last year was really rough for them. They were 4th at Worlds rather than defending their title. The light and joyful programs that they are using this year suit them so well, much more than their moody “Danse Macabre” free dance from last year. Anna and Luca won by almost four points here, and I felt that their twizzles were better than Chock and Bates’ twizzles. Things definitely just got a little more interesting in ice dance this year.

    Cup of China 2015 Ice Dance Medalists Image Source: theicedancekingdom.tumblr.com

  • At the halfway point of the Grand Prix (already?!), all I can say about the pairs is that it is going to be crowded at the top when the World Championships roll around. The Russian team of Yuko Kavaguti and Alexander Smirnov took the top spot at Cup of China, ahead of Skate America champions Wenjing Sui and Cong Han. And there are THREE other Russian teams in the mix internationally this year, including the 2014 Olympic champions Tatiana Volosozhar and Maxim Trankov. Not to mention the defending world champions Meagan Duhamel and Eric Radford, and the fact that the American team of Alexa Scimeca and Chris Knierim are looking really strong this season.

And the Grand Prix rolls on with Trophee Eric Bombard this weekend! I hope we’ll have Johnny and Tara back in the broadcast booth for NBC. Terry Gannon and Tracy Wilson called Cup of China, and I was glad to hear them finally acknowledge that Tracy coaches many of the top men on the circuit (Javier, at this event, but also Yuzuru Hanyu). It killed me when Terry would ask her hypothetical questions about a skater’s approach and training and she would answer without acknowledging that she was part of the coaching team. Anybody else? Am I too much of a stickler? Share your thoughts in the comments!


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The Evolution of Max Aaron

The biggest news (or surprise, depending on who you ask) out of Skate America this past weekend was Max Aaron’s gold medal performance in the men’s event. And lots of people are calling it a “reinvention,” talking about how he completely revamped his skating during the off season. But I’m going to go ahead and disagree.  I call it an evolution, not a reinvention, because the improvements he made to his skating aren’t changes that can happen overnight.

The best part about watching Max’s performances at Skate America wasn’t the improved speed, knee bend, and edge quality (though all three of those things were great to see); it was that he looked like a better version of Max. No longer “Max trying to fulfill the abstract skating idea of an ‘artist,'” but Max, the artist. The style was true to his masculine, powerful roots,

Last year, especially in his “Footloose” short program, Max often looked uncomfortable. His artistry and interpretation were not convincing and made skating observers question whether he actually could be an artist, or whether he had peaked.

After a summer spent doing a lot of edge exercises, Max gave the naysayers their answer with this spectacular outing at Skate America. He has better knee bend, smoother skating, and his pushes take him farther across the ice. Max has always been fast, but as a former hockey player, he had that hockey-like quality of multiple quick crossovers to pick up speed. Now, you can tell he is really using his edges and his knees for speed. Not only that, but his spins are also faster, and he is holding each of the positions longer.

In both programs, he is skating to the music and taking musical cues, as opposed to using the music as a backdrop for his elements. His personal-best 81.30 program component score in the Skate America long program reflects that, and is right up there with the likes of renowned skating artists Patrick Chan or Jeremy Abbott.

Max has done all of this while skating to a ballet, “Black Swan,” and yet his skating still has a powerful, masculine quality. He made improvements without trying to mimic the Chans or the Abbotts of the skating world. Pardon the pun here, but he maximized his own potential to be the best Max Aaron. I didn’t watch his program this weekend and think, “I don’t recognize this skater.” Instead I thought, “Here’s a skater who has been working really hard—and man, does it show.” We got a better version of Max Aaron. He’s been trying to develop the performance side of his skating for years, and I look forward to seeing the evolution continue.