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Four Favorites: Internationaux de France 2019

Cup of China has come and gone, but here I am looking back at Internationaux de France from (not quite) two weeks ago. I was out of town the weekend of the competition for an excellent coaching seminar with Learn to Skate USA and got behind in my skating viewing, hence posting about France after the next event has already been completed. The skating was honestly a little haphazard in France, so I went with fashion for my four favorites from this event:

Ladies

Poor Maria Sotskova of Russia finished last here, and looks to really be struggling to regain the form that earned her a spot on Russia’s 2018 Olympic team. While her jumps didn’t look good, her short program dress really did. Unfortunately, the last place finisher apparently doesn’t make it to YouTube or Google Images, so I’m utilizing some very professional screenshots of NBC Sports Gold from my browser. All rights to NBC Sports Gold and the ISU, of course.

Front:

Maria Sotskova 2019 SP Dress Front

Back:

Maria Sotskova 2019 SP Dress Back

I love the color against the white ice, the asymmetrical cutout, and the hint of sparkle. It was very classy without being too traditional or expected. This was her only Grand Prix assignment of the season, and with the Russian ladies field as stacked as it is, I’m not sure we’ll see Sotskova or this lovely dress again this year, outside of Russian Nationals.

Men

Shoma Uno of Japan had a disastrous competition here, and in the long program, especially, his falls were wild and troubling. His free side was completely out of control and it looked like he was going to really get hurt if he kept going. But apparently the theme of this post is me loving the outfits of people having tough performances, because I thought his long program shirt was gorgeous. It looked like a starry night sky, or the lights of a city as viewed from an airplane window. Here’s a fan video of the program:

Pairs

Haven Denney and Brandon Frazier’s “Lion King” program re-run made my favorite programs list after Skate America, and I mentioned then how much I liked their outfits. I noticed them in even more detail at Internationaux de France, including the subtle leopard print! The brown is a color you don’t see often in skating, but this one is a deep enough shade that it looks great against the ice and is not drab. You can check out photos of Denney and Frazier from the competition via the event coverage on Figure Skaters Online.

Dance

In a year of Broadway-themed rhythm dances, there are no shortage of fun and memorable costumes. Spain’s Olivia Smart and Adrian Diaz were my favorites here, with their very authentic Grease getups. (I’m choosing to ignore the questionable message of the movie/musical, that a girl needs to change who she is for her boyfriend…) With these two, there is full commitment to the Grease theme, right down to Smart’s curled hair a la Olivia Newton-John; does Diaz need to add a bit more gel to his look to really nail the Grease theme? This photo of the costumes is from an early-season event, but they are the same ones the duo wore in France:

Now I’m off to go finish watching the men’s and the ladies events from Cup of China!


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Four Favorites: Internationaux de France 2018

Well, somehow the 2018 Grand Prix Series has concluded. Anybody else feel like the Olympics were about two minutes ago? I fell off of posting a bit last week due to the holiday, but did have plenty of time to soak up the Internationaux de France and determine my four favorites from the event:

        1. In the ladies event, I liked Alexia Paganini’s rocker-rocker entrance into the triple lutz-triple toe combination in the short program. It not only added difficulty, but also highlighted the strong outside edge on the takeoff, which not everyone in this field has mastered. It was the opening element of the Swiss skater’s program:

          Honorable mention goes to the closing moments of Rika Kihira’s long program, with it’s beautifully paced choreography. I’m trying to stick with only four favorites, for alliteration and organization, but sometimes I can’t help myself.
        2. In the ice dance event, I loved how Team USA’s Kaitlin Hawayek and Jean-Luc Baker enter their stationary lift directly out of the curve lift in the free dance. A difficult setup that shows strength and control, and helps blend the elements seamlessly into the program, rather than telegraphing them.
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        3. On the pairs side, champions Vanessa James and Morgan Cipres stood out in more ways than one, but I particularly liked their unique entry into the side-by-side salchows:
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          FreeGifMaker.me
          Setting aside that she doubled the jump here, I love this entry, choreographed by Olympic Ice Dance Champion Charlie White. They are doing different movements leading into the jump, but still have perfectly synchronized timing. Plus, this is more visually interesting than simply entering the jump by skating next to each other, as many pairs do.
        4. My favorite part of the men’s event was seeing the International Judging System as its best self. The ISU implemented a lot of changes since last season, including some that controversially devalued quads, especially quads that are underrotated or where the skater falls. I had hoped it would be a positive change, without entirely discouraging skaters from still pushing the sport forward with quad jumps. As I watched Jason Brown’s short program last Friday, I was loving it as usual, and then noticed how high the score was ticking up in the box in the top left corner of my screen. “Is it possible…is he about to win this short program?” I asked myself (aloud, as I often do when watching skating, even alone). Given that he wasn’t trying a quad, I assumed he would end up behind programs with quad attempts, even with a clean program. Not in this newest iteration of the IJS! It was great to see. And in the end, Nathan Chen, the Quad King, won the event, showing that clean quad jumps will still rule the day. But it was so heartening to see a complete program—clean skate, presentation, spins, everything Jason Brown does so beautifully—properly rewarded. Here it is: