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Flashback Friday: The Perils of YouTube Autoplay

You know what I’m talking about (with this post title). The YouTube autoplay feature that automatically plays a video similar or related to what you just watched. Second to the Netflix autoplay feature, of course, but still problematic.

youtube-autoplay-2

Image Source: googlesystem.blogpost.com

My skating friends and I send each other YouTube links constantly. One of my coworkers is a fellow skating fan, and we love trading links to our favorite performances (I’ve got two in my inbox right now, from the 2017 Europeans exhibition, awaiting my viewing).

But this is when things get dangerous. This is when I get into a YouTube skating hole, and find myself watching way too many programs in a row, for far too long. The original dance from the 2006 Olympics! Vintage Michelle Kwan! Virtue and Moir’s exhibition program to Justin Bieber.

I know I’m not the only one who’s been there.

And sometimes this skating binge-watching leads to the rediscovery of a forgotten gem, like this lovely exhibition program by U.S. ice dancers Meryl Davis and Charlie White, from nearly 10 years ago. This was one of my all-time favorite programs of theirs, to “Beyond the Sea” by Bobby Darin, and you should check it out for your Flashback Friday:

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Best Scheherazade Programs

Certain pieces of music pop up a lot in the skating world, for better or worse. I’ve made my feelings known about overuse of “Phantom of the Opera,” lots of people don’t want to hear “Carmen” in an ice rink ever again, and the fantastic Jackie Wong of Rocker Skating has a special hatred for any version of “Feelin’ Good.”

“Scheherazade” is another one that is used a lot, but it hasn’t reached fatiguing levels, at least for me. I love the layers of sound in the music, and the endless choreographic possibilities those layers create.

I heard “Scheherazade” a few times from the stands at Worlds, which got me thinking about my favorite programs set to this music:

Meryl Davis and Charlie White, 2014 Free Dance

Michelle Kwan, 2002 Long Program

While both programs are fabulous in their own right, they’ve got a few things in common that put them over the top and into my “best ever” category:

  • Choreography and arm movements that imply the weaving or spinning of a story (which is what the character of Scheherazade does to avoid a death sentence, so the legend goes)
  • Energy that builds throughout the program to an outstanding finish
  • Attire that fits the music and alludes to the Middle Eastern setting of the story, without being overly corny or kitschy

I could watch these programs over and over, but are there more excellent renditions of Scheherazade that I have to see? Do share!