Twizzle Talk


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Best Scheherazade Programs

Certain pieces of music pop up a lot in the skating world, for better or worse. I’ve made my feelings known about overuse of “Phantom of the Opera,” lots of people don’t want to hear “Carmen” in an ice rink ever again, and the fantastic Jackie Wong of Rocker Skating has a special hatred for any version of “Feelin’ Good.”

“Scheherazade” is another one that is used a lot, but it hasn’t reached fatiguing levels, at least for me. I love the layers of sound in the music, and the endless choreographic possibilities those layers create.

I heard “Scheherazade” a few times from the stands at Worlds, which got me thinking about my favorite programs set to this music:

Meryl Davis and Charlie White, 2014 Free Dance

Michelle Kwan, 2002 Long Program

While both programs are fabulous in their own right, they’ve got a few things in common that put them over the top and into my “best ever” category:

  • Choreography and arm movements that imply the weaving or spinning of a story (which is what the character of Scheherazade does to avoid a death sentence, so the legend goes)
  • Energy that builds throughout the program to an outstanding finish
  • Attire that fits the music and alludes to the Middle Eastern setting of the story, without being overly corny or kitschy

I could watch these programs over and over, but are there more excellent renditions of Scheherazade that I have to see? Do share!

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Favorite Musical Selections of the 2014-15 Season

The 2015 World Figure Skating Championships are a little over a month away and I’ve seen some fellow skating fans on Twitter bemoaning the long stretch of time until the event. What are we supposed to do without skating to keep us occupied for the next three-ish weeks?

I’ve pondered Jason Brown’s future with the quad and others are sizing up Ashley Wagner’s chances for a medal in Shanghai. But I think this lull is also a nice opportunity to take some time to enjoy the more unique, subtle aspects of skating that sometimes get overlooked in the scramble for points and medals. Let’s take music choice, for example.

Yes, people notice music choice, particularly if it is something outside the box (ice dancers Madison Hubbell and Zach Donohue using hip hop cuts from The Great Gatsby soundtrack in their free dance), or boring background music (commentator Johnny Weir’s analysis of Polina Edmunds’ Peter Pan long program), but they pay more attention to the technical elements. So let’s take a break from the math and focus on the artistic aspect of skating for a bit.

Here are my favorite musical selections from the 2014-15 season (in no particular order):

  • Ricky Dornbush, long program: “Yellow” and “Viva la Vida” by Coldplay

His footwork and connecting moves are all positioned perfectly within the music. I love how the vocals come in subtly at the end, mirroring how the choreography of the program builds to a big finish. Using the words throughout would have made it feel too much like an exhibition program; the familiar melodies are enough to draw the audience in—along with his smooth, edgy skating:

(This video is his long from 2014 Cup of China, where he made a number of small mistakes during the aforementioned “big finish”–it definitely would have been better if he nailed all those triples at the end, but the choreography is still fantastic).

  • Joshua Farris, short program: “Give Me Love” by Ed Sheeran

I know I’ve waxed on about the awesomeness of Farris’s skating here and here, but this is really one of the most spectacular programs of the season. I’ve known this Ed Sheeran song for a few years, and I’d even seen it performed live by Ed himself, and I didn’t fully appreciate all the intricacies of the music until I saw this short program (In defense of Ed, I was in one of the last rows of a giant stadium, in the pouring rain, and he was a relatively unknown opening act with only an acoustic guitar to back him up, so that may be why I didn’t fully appreciate it, ha). The attention to detail in the choreography and Farris’ commitment to delivering the moves are what make this music choice so fantastic. It has the intensity that a short program needs and doesn’t seem like a show program, despite the vocals. The section of the program where he does his footwork seems like it was composed especially for a footwork sequence, it works that well:

  • Elena Illinykh and Ruslan Zhiganshin, free dance: “Appassionata” by Secret Garden and “Antony and Cleopatra Theme” by Ferrante and Teicher

Interestingly, my first two favorites took advantage of this year’s new rule allowing vocals in all disciplines, but my third favorite pick is a bit more traditional. I love the power and emotion in this music, and it highlights the passion in this team’s skating. Since this is their first year as a team, I think it was a wise choice to pick music that is strong and captivating, because they are relying on their presentation skills as they continue to develop technically as a pair. The violin in the slow section is my favorite part—the twizzle placement is great:

Who is skating to your favorite music this year?